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Carolyn at Bristol Books
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The publishing scene today:
Great books, good books, bad books.

In today's global media environment, book publishing runs the gamut from multinational conglomerates to print-on-demand and self-publishing. Authors have a bewildering array of venues for their work. How do you even know which direction to start?

Should you invest the time and energy in seeking a major publisher for your manuscript? Certainly, if your book is likely to appeal to a wide national and international market, and if you're willing to gamble that it will attract readers in the tens or hundreds of thousands. Traditional publishing houses are responsible for bringing most of the world's great books to bookstores, libraries, and online channels. They invest enormous amounts of money, talent, and faith in a process that yields many new titles, among them a few bestsellers and critical successes each year.

Perhaps your project is a good match for a boutique or university press. If it's thoroughly researched, well written, distinctive, suitable for literary or academic readers, and likely to sell copies in the thousands—there are respected smaller publishers or specialty houses that also publish excellent books. These houses generally publish on a standard royalty basis but pay little or no advance (university presses often accept subventions to underwrite unusual production costs as well, though availability of subvention funds does not influence the decision to publish).

But what happens to books that are just as worthy of publication—that hold interest for a small but dedicated core of readers? Such works often fall between the cracks of the publishing system. They may be too narrow to attract an agent or a commercial house. They may not be right for the lists of boutique or academic imprints. Their authors may resort in desperation to vanity presses or attempt self-publishing with mediocre—or worse—results. After all, new technologies make layout and printing a simple matter, right?

The most critical element in this latter mix is knowledge (the publisher's, not just yours). Consider the editorial process. Far too many books with otherwise admirable merits reach readers without undergoing the vital stages of content reviewing, developmental editing, copyediting, fact-checking, and proofreading. A book that skips these key processes too often becomes an embarrassment to its author and its "publisher." Or far too little attention is paid to functional and attractive design, or to effective packaging and marketing.

It's true. There are on-demand publishers that allow you to pick and choose, from a menu, which services you wish to pay for. It sounds like a great way to get your work into print with a modest investment. But sad experience also proves that it may only amount to a fast way to produce a bad book.

Winoca Press is different. Our standards of publishing quality:

  • Full-service manuscript editing, copyediting, and assistance with proofreading
  • Functional and attractive design
  • State-of-the-art manufacturing: perfect-bound, saddle-stitched, coil-bound, or casebound formats
  • Marketing support, from publicity to Web promotion

Winoca Press is working to bring the best of both worlds-editorial oversight and author participation-into a new paradigm of making great books, and we call this approach partnership publishing. If you are interested in learning whether your manuscript is a good match for Winoca Press, send us a brief description at manuscripts@winocapress.com.

For helpful guidelines on preparing manuscripts and queries, download a pdf version of our manuscript manual.

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